ABOUT THE GÜERO AND HIS FREQUENCY
TYLER BRASSINGTON
A genre-defying musician, composer, and producer - the founder and principal songwriter of Motel Órbita and MNTCLR. A multi-instrumentalist with an ear for the unexpected, he blends diverse influences to craft unique sonic landscapes. Constantly exploring new sounds and directions, Tyler writes, arranges, records, mixes, and produces both for himself and other artists, shaping music that pushes boundaries while remaining deeply expressive.
MOTEL ÓRBITA
Songs Without Borders, Sound Without Rules
Motel Órbita is forged as a brother-duo—, but it's not just any duo, it’s a songwriting force that throws out the rulebook. No genre fences, no radio playbook, no time limits. Here, songs unfold how they’re meant to—raw, unpredictable, and free to take whatever shape the music demands. This is storytelling without a stopwatch, pure creative expression with no restraints.
Rewriting the Frequency of the Future
Music used to mean something. It challenged, it moved, it rattled the cage. Somewhere along the way, that raw, unfiltered spirit got lost in the noise. Motel Órbita is here to bring it back.
We’re reshaping songwriting—not just for ourselves, but for the next wave of artists who refuse to settle for safe, disposable sound. We want music that hits harder, digs deeper, and demands to be felt.
This isn’t just a project—it’s an open invitation. If you believe in real music, in pushing boundaries, in crafting songs that matter, then step inside. The door’s open. Let’s build something timeless.
Brandon Brassington – The Pulse That Shakes the Room
Some drummers keep time. Brandon bends it to his will. From the time he could reach a snare, he’s been locked in the pocket like a human metronome with a mean streak—precision, power, and pure instinct wrapped in raw energy. He doesn’t just play; he detonates, each hit landing like a seismic shock.
The dream? Simple—take the stage together and unleash something so electric, it leaves the walls sweating. And when that day comes, you won’t just hear it. You’ll feel it. That shotgun-crack of his snare? Loudest drummer I know—hands down.